Marie de France may have been the half-sister of King Henry II. She may have been born in France and wrote her tales in England. Our knowledge of Marie is limited and the authorship of these tales is often debated. As the introduction of my edition states, “We can assert with conviction that at least one poet by the name of Marie was writing in the second half of the twelfth century, but it is equally certain that the author who composed the lays . . . was not called Marie de France (7).” In other words, it may be that some anonymous author wrote these works and they have become associated with her name over time. Although these lays are technically poetry, in translation they read like an early form of the short story.
In “Guigemar,” a knight known for his prowess in battle and lack of interest in women is cursed after being wounded during a hunt. His victim, a talking animal, warns Guigemar that his wound will not heal until he knows love. Soon after, he ends up on a mysterious ship that takes him to a tower where an elderly lord has locked up his young and beautiful wife. The knight and the young lady fall in love with each other. They get separated after their love affair gets discovered by the elderly lord, but before they do they exchange tokens in order to recognize each other in the future if they ever meet again and eventually they do.
In “Equitan,” a powerful king falls in love with his vassal’s wife. She agrees to have a love affair with him. They plan to kill her husband by throwing him into a boiling tub of water, but the vassal discovers their plot and ends up throwing them into the boiling water instead as a punishment for their treachery.
In “Le Fresne,” a noble woman insults the honor of her guest pregnant with twins by claiming that twins can only be conceived by sleeping with two men. Shortly after, the accuser herself becomes pregnant with twins and her words rebound against her. So to save her honor, she has a servant take one of the children away to an abbey. The girl becomes known as Le Fresne and after growing up she becomes a lover to a powerful Lord named Gurun. After some time, his vassals chastise him for his love affair and want him to marry a proper lady. Le Fresne resigns herself to give up her lover. However, it turns out the lady they find to marry Gurun is actually her twin sister. Through some tokens of recognition, they all discover the truth and Le Fresne now able to establish her identity as the sister of the highborn lady gets to marry Gurun.
In “Bisclavret,” a noblewoman wheedles out of her husband the secret reason why he disappears every few nights. It turns out every few nights he transforms into a werewolf. He informs her it is his clothes that allow him to return to his human form again. The wife decides that she “no longer wished to lie with him (69)” and steals his clothes so he is unable to resume his human form. Then she takes another knight for her lover. During a hunt, the king realizes the werewolf he is hunting acts sentient like a human and decides to take him back to his castle as a cherished pet. After summoning his vassals, the wife and her new lover arrive at court and the werewolf attacks them. Through torture they discover from the truth from the lady about the werewolf. They restore his clothes and he resumes human form.
In “Lanval,” the knight of the same name is selected by a rich and mysterious lady to be her lover with the catch that if he ever tells anyone about her he will never see her again. After Lanval’s fame rises, the Queen falls in love with him and tries to seduce him, but he rejects her advances and insults her with the beauty of his secret lover. Angry at this insult, the Queen accuses Lanval of trying to seduce her and the King puts him on trial for his life. In a fit of depression, Lanval is prepared to die, assuming he will never see his beloved again since he broke her rule and spoke about her, but the lady arrives at the king’s court in order to save his life and prove the truth of his words.
In “Les Deus Amanz,” a knight takes on a challenge to win his beloved by carrying her up a mountain. She tries to assist him by getting a family member to provide him with a restorative potion. However, he forgets the potion during the task and dies in the process.
In “Yonec,” a jealous old man locks his young beautiful wife in a tower. A bird comes to the window and transforms into a knight who becomes her lover in secret. Soon the old man discovers their affairs and places traps around the window. The knight is fatally injured by these traps. The woman jumps out of the window chasing after her injured husband, manages to survive her fall, and follows the path of blood to her lover’s kingdom. He prophesies that their child with take revenge on her husband. She has her lover’s child and her husband raises the child thinking it is his own. When the child learns the truth he takes revenge on his stepfather and then inherits his dead father’s kingdom.
In “Laustic,” a married lady who loves a knight from afar wakes up every night just to get a glimpse of her lover. The suspicion husband realizes what she is doing and kills a nightingale that the lady uses as her excuse for staying up so late.
In “Milun,” a knight has an illicit affair with a woman and gets her pregnant. They send the baby away. Eventually the child grows up and becomes a renowned knight. He fights his father in a tournament where they discover each other’s identities.
In “Chaitivel,” a woman falls in love with four knights and cannot choose between them. Three of them die in a tournament. The lady takes care of the surviving knight who is severely injured. Unfortunately, he is now impotent. She tells him she wants to compose a lay about the tragedy of the three dead men, but he tells her the real tragedy is his since he survived and gets the chance to talk with her all the time, but his injuries prevent him from physical love with her.
In “Chevrefoil,” King Mark banishes his nephew, Tristram, after rumors that he loves the Queen. In his banishment, the Queen finds him and reveals her love for Tristram. King Mark regrets banishing him and Tristram returns to his service.
In “Eliduc,” false rumors causes a king to banish the knight Eliduc. His wife has him promise to stay faithful to her in his exile. He goes to another kingdom and serves a different king besieged by enemies. Eliduc shines in battle and wins an honored place with this other king. The king’s daughter falls in love with him. After some reluctance, he becomes her lover. The original king that banished Eliduc calls him back. Eliduc returns to his wife, but is extremely unhappy to lose his new lover. After winning the war for his original liege, he returns back to the other kingdom and takes the princess back with him to his homeland. On the way, a storm threatens their ship and a servant in fear that they have offended God reveals to the princess that Eludic is married. This knowledge with her seasickness causes her to feint and Eludic believes she is dead. He makes plans to bury her. After becoming suspicious of her husband’s behavior, the wife discovers the existence of the lover and learns that she isn’t dead. She witnesses a weasel use a plant to restore another weasel. She then takes this plant and uses it to restore the princess. The wife agrees to take a vows in order to leave Eludic free to marry his true love.
These stories are extremely short. Some no longer than two pages. The minimalism of the characters and the occasional magical element (like the talking animal that curses Guigemar, the hawk-knight in Yonec and the werewolf in Bisclavret) gives these tales an atmosphere similar to those of a fairy tale. Even when the tales give a particular locale, the world it presents feels like a generic medieval kingdom that could be anywhere and is highly idealized.
These stories reflect the values of the nobility. This can be seen in that all the main characters and most of the characters through the tales are knights, kings, lords, and princesses; the peasantry are almost entirely absent from the idealized medieval world of these stories. The shortness of the tales doesn’t leave much time for character development; instead, the characters are described by generic and idealized qualities such as their valor, how beautiful or handsome they appear, and generous behavior towards others. The exploration of the values of courtly love features in all the stories. The love depicted in these tales feels artificial and forced; the characters usually just meet, share a few words, and just fall in love with each other without much development. Although sometimes the tales suggest that a princess falls in love with a particular knight due to his prowess in battle and he falls for her due to her unmatched beauty. The underlying logic of these stories is that since he is the best knight in the area, therefore he deserves the most beautiful and noblest born of the ladies. In stories like “Equitan,” we have characters punished not so much for their infidelity, but their disloyalty to their vassal. After all, if feudalism is a political and social system built on loyalty, it would follow that disloyalty undermines the entire system. “Eliduc” takes the logic of both these ideas to its furthest conclusion in that Eliduc is often torn between loyalties. Should he serve his original king when he is called back to assist him after swearing his service to the new king for a year? Should he break his promise to his wife and become the princess’s lover? The system of feudalism and the ideal of noble behavior can form quite a tangled web of allegiances. Here is an academic website that provides even more information on Marie De France and has links to online translations different than the ones I used.